Saturday 31. Aug. 2019, 8.00 pm | Rathausmarkt
Johannes Brahms: Symphony No. 1 in C minor, Op. 68
George Gershwin: "Someone to watch over me", "I got rhythm", "Summertime"
George Gershwin: Rhapsody in Blue
Kent Nagano is renowned for interpretations of clarity, elegance and intelligence. He is equally at home in music of the classical, romantic and contemporary eras, introducing concert and opera audiences throughout the world to new and rediscovered music and offering fresh insights into established repertoire. In September 2015, he took up the position of General Music Director of the Hamburg State Opera and Chief Conductor of the Hamburg Philharmonic State Orchestra. Since 2006 he has been appointed Honorary Conductor of the Deutsches Symphonie-Orchester Berlin and has been Music Director of the Orchestre symphonique de Montréal (OSM) since September 2006. Further, in September 2013 he became Principal Guest Conductor of the Gothenburg Symphony Orchestra.
Aware of the important tradition of the Hamburg State Opera and the Hamburg Philharmonic State Orchestra, Kent Nagano, together with Artistic Director Georges Delnon, develops a unique and recognizable profile for Hamburg as a city of music between the careful cultivation of a broad repertoire and a bold passion for the new.
Highlights of Kent Nagano’s previous seasons in Hamburg were the premiere of Berlioz‘ Les Troyens, the world premiere of Hosokawa’s Stilles Meer, Messiaen’s Turangalîla with the Hamburg Ballett John Neumeier, the premieres of Wagner’s Parsifal and Beethoven’s Fidelio, the „Philharmonische Akademie“ – a project in the tradition of musical academies of the 18th/19th century –, as well as the South America Tour with the Hamburg Philharmonic State Orchestra, the premieres of Berg’s Lulu and Strauss’ Frau ohne Schatten and the world premiere of Jörg Widmann’s oratorio ARCHE – composed on the occasion of the inauguration of the Elbphilharmonie in January 2017. The live recording of this concert was released on CD by ECM in autumn 2018.
Kent Nagano will go on a Europe tour with the OSM in March 2019, with concerts in Berlin, Vienna, Munich, etc.
In January 2019 he toured through Spain with the Hamburg Philharmonic State Orchestra. At the Hamburg State Opera Kent Nagano conducts the premieres of Schumann’s Szenen aus Goethes Faust and George Benjamin’s Lessons in Love and Violence as well as performances of the entire Ring by Wagner in autumn 2018.
In July 2018, Kent Nagano conducted Krzysztof Penderecki’s St. Luke Passion with the OSM on the occasion of the Salzburg Festival opening concert. In August 2018 he stood at the rostrum of Vienna Philharmonic, conducting the new production of Hans Werner Henze’s The Bassarids at the Salzburg Festival.
Kent Nagano started season 2018/19 with an OSM tour into arctic Quebec.
A milestone in Kent Nagano’s collaboration with the (OSM) was the inauguration of the orchestra’s new concert hall La Maison Symphonique in September 2011. In October 2016, he conducted the world premier of José Evangelista’s Accelerando – a commission by the OSM on the occasion of the 50th anniversary of Montréal’s metro. In November of the same year he conducted a semi-staged production of the Matthäus-Passion. Further highlights with the orchestra include the complete cycles of Beethoven and Mahler symphonies, Schoenberg's Gurrelieder, concert versions of Wagner's Tannhäuser, Tristan und Isolde, Das Rheingold, Honegger’s Jeanne d’Arc au Bûcher, Messiaen's Saint François d'Assise, and concert series featuring the works of Dutilleux (2010 to 2011) and Boulez (2011 to 2012). Nagano has taken the orchestra on a coast-to-coast tour of Canada and also to tours to Japan, South Korea, Europe and South America. Their last tour was in spring 2016 through the US, with stops in Washington, Boston and New York. Their recordings together include Mahler’s Orchestral Songs with Christian Gerhaher, Beethoven’s Piano Concertos Nos. 4 & 5 and a complete recording of all the Symphonies by Beethoven of which the album “Ideals of the French Revolution” with Symphony No. 5 won a Juno award. In March 2015 Kent Nagano conducted the North American Premiere of L’Aiglon, a rare opera of Honegger and Ibert. This production was recorded and released by Decca. Danse Macabre followed as second production with Decca, with works by Dukas, Dvořák, Mussorgsky, Balakirev, Saint-Saens and Ives in October 2016. In June 2018, A quiet place by Leonard Bernstein were released also with Decca as third mutual production.
As a much sought after guest conductor, Nagano has worked with most of the world’s finest orchestras, just as the Bavarian Radio Symphony Orchestra, Munich Philharmonic, London Symphony Orchestra, BBC Symphony Orchestra, Tonhalle Orchestra Zurich, WDR Symphony Orchestra, Concerto Köln, Finnish Radio Symphony Orchestra, Orchestra dell’Accademia Nazionale di Santa Cecilia in Rom and the Chicago Symphony Orchestra. From 2014 to 2016 he led his own festival as part of the AUDI Sommerkonzerte, called Vorsprung-Festival. He has an ongoing relationship with Decca and Sony Classical and has also recorded for Analekta, Erato, FARAO Classics, Teldec, Pentatone, Deutsche Grammophon and Harmonia Mundi, winning Grammy awards for his recordings of Busoni’s Doktor Faust with Opéra National de Lyon, Peter and the Wolf with the Russian National Orchestra and Saariaho’s L’amour de Loin with the Deutsches Symphonieorchester Berlin.
At the Bayerische Staatsoper, where he was General Music Director from 2006 to 2013, Kent Nagano commissioned new operas such as Babylon by Jörg Widmann, Das Gehege by Wolfgang Rihm and Alice in Wonderland by Unsuk Chin. New productions included Mussorgsky’s Boris Godunov and Khovanshchina, Idomeneo, Eugene Onegin, Ariadne auf Naxos and Die Schweigsame Frau, Les Dialogues des Carmélites, St François d’Assise, Wozzeck, George Benjamin’s Written on Skin and Der Ring des Nibelungen. With the Bayerisches Staatsorchester Nagano has toured throughout Europe and in Japan and together they have recorded Bruckner Symphonies No. 4, 7 and 8. In January 2014, Kent Nagano returned to the Bayerische Staatsoper to conduct a revival of Widmann’s Babylon.
A very important period in Nagano’s career was his time as Artistic Director and Chief Conductor of the Deutsches Symphonie-Orchester Berlin, from 2000 to 2006. He performed Schönberg’s Moses und Aron with the orchestra (in collaboration with Los Angeles Opera), and took them to the Salzburg Festival to perform both Zemlinsky’s Der König Kandaules and Schreker’s Die Gezeichneten, as well as to the Festspielhaus Baden-Baden with Parsifal and Lohengrin in productions by Nikolaus Lehnhoff. Recordings with the Deutsches Symphonie-Orchester Berlin for Harmonia Mundi include repertoire as diverse as Bernstein’s Mass, Bruckner’s Symphonies Nos. 3 & 6, Beethoven’s Christus am Ölberge, Wolf Lieder, Mahler’s Symphony No. 8 and Schönberg’s Die Jakobsleiter and Friede auf Erden, as well as Brahms’s Symphony No. 4 and Schönberg’s Variationen für Orchester Op. 31. In June 2006, at the end of his tenure with the orchestra, Kent Nagano was given the title Honorary Conductor by members of the orchestra, only the second recipient of this honour in their 60-year history. To this day he has a close friendship to the orchestra.
Kent Nagano became the first Music Director of Los Angeles Opera in 2003 having already held the position of Principal Conductor for two years. His work in other opera houses has included Shostakovich’s The Nose (Staatsoper Berlin), Rimsky Korsakov’s The Golden Cockerel (Châtelet, Paris), Hindemith’s Cardillac (Opéra national de Paris), Les Dialogues des Carmélites (Metropolitan Opera) and at the Salzburg Festival Les Contes d’Hoffmann, Zemlinsky’s Der Koenig Kandaules, Schreker’s Die Gezeichneten and the world premiere of Saariaho’s L’amour de loin. Other world premieres include Bernstein’s A White House Cantata and operas by Peter Eötvös (Three Sisters), and John Adams (The Death of Klinghoffer and El Niño).
Born in California, Nagano maintains close connections with his home state and was Music Director of the Berkeley Symphony Orchestra from 1978 to 2008. His early professional years were spent in Boston, working in the opera house and as assistant conductor to Seiji Ozawa at the Boston Symphony Orchestra. He played a key role in the world premiere of Messiaen’s opera Saint François d’Assise at the request of the composer, who became a mentor and bequeathed his piano to the conductor. Nagano’s success in America led to European appointments: Music Director of Opéra National de Lyon (1988 to 1998) and Music Director of the Hallé Orchestra (1991 to 2000).
Since 2005 Kent Nagano is honorary doctorate of McGill University in Montréal and since May 2018 of San Francisco State University.
University of Prishtina
Audience Prize and the 3rd prize at the first ever Glyndebourne Opera Cup (2018), first prize of the Riccardo Zandonai Competition (2015), first prize in the Spiros Argiris Sarzana Festival Competition in Italy (2014), Young Artist fellowship at the Deutsche Oper Berlin (2014-2016), member of the Young Singers Project at the Salzburger Festspiele (2016)
Adina (L’elisir d’amore), Pamina (Die Zauberflöte), Violetta (La Traviata), Liù (Turandot), Gretel (Hänsel and Gretel), Musetta (La Bohème), Crobyle (Thaïs), Kätchen (Werther), Frasquita (Carmen), Anna (Nabucco), Shepherd (Tannhäuser), Bianca (La Rondine), Frantik und Grasshopper (Cunning Little Vixen), Countess Ceprano (Rigoletto), et al.
Deutsche Oper Berlin, Semperoper Dresden, Grand Théâtre de Genève, Aalto-Teater Essen, Philharmonie Essen, et al.
Cooperation with conductors:
Tomáš Netopil, Friedrich Haider, Roberto Rizzi Brignoli, Axel Kober, Patrick Fournillier, Donald Runnicles, Nicholas Carter, et al.
At the Vocal Faculty of the Petro Tchaikovsky National Music Academy of Ukraine, Atelier Lyrique of the Opéra National de Paris
Recipient of the “Art of XXI century” International Competition (2004), Grand Prix of the XVI International Lydia Abramova Vocal Student’s Competition “Bella voce” in Moscow (2010), Grand Prix for the best Tchaikovsky music performance in the National Tchaikovsky Musical Academy Vocal Faculty Competition (2010), third Prize of the “International Vocal Competition in Memory of Antonina Nezhdanova” in Odessa (2010), special award of the festival “Tournament Tenors” in Szczecin (2010), special prize of the Jury at the International Vocal Competition “Debut” in Wiekersheim (2010), Grand Prix of the International Vocal Competition Ivana Alchevskogo “Alchevskiy Debut” in Kharkov (2011), Prix Lyrique du Carpeaux (2014), Prix Lyrique de L'AROP (2014), finalist of the BBC Cardiff Singer of the World Competition (2015)
Relation to the Hamburg State Opera:
Ensemble member of the Hamburg State Opera since 2017/18
Lensky (Eugene Onegin), Lykow (The Tsar’s Bride), Alfredo (La Traviata), Boten (Aida), Male Chorus (The Rape of Lucretia), Ottavio (Don Giovanni), Ecclitico (Il mondo della luna), Scaramuccio (Ariadne auf Naxos), Pylade (Iphigénie en Tauride), Ferrando (Così fan tutte), Nemorino (L’Elisir d’Amore), Eurimaco (Il Ritorno d’Ulisse in Patria), Paris (La belle Hélène), Lysander (A Midsummer Night’s Dream), Cassio (Otello), Beppe (Pagliacci), Arturo (Lucia di Lammermoor), Sinowi (Lady Macbeth of Mtsensk), Belmonte (Die Entführung aus dem Serail), Mussorgsky (Der Jahrmarkt von Sorotschinzi), Tamino (Die Zauberflöte), Il Conte d’Almaviva (Il Barbiere di Siviglia), Froh (Das Rheingold), et al.
Taras Shevchenko National Opera of Ukraine, M. Dzhalil Tatar Academic State Opera, Chaliapin Festival, Le Théâtre du Léman, Palazzo dei Congressi Lugano, Théâtre de Beaulieu, Théâtre du Passage, Festival d’Aix-en-Provence, Opéra de Lyon, La Ferme du Buisson, Théâtre Firmin-Gémier/La Piscine, MC93 Bobigny, Opéra Bastille, Opéra Garnier, Théâtre de l’Athénée, Opernhaus Zürich, Garsington Festival, Komische Oper Berlin, et al.
Cooperation with directors:
William Kentridge, François Girard, Christophe Perton, Àlex Ollé, Barrie Kosky, Willy Decker, Roland Pelli, Andreas Homoki, et al.
Cooperation with conductors:
Nello Santi, Philippe Jordan, Visiliy Petrenko, Michael Schønwandt, Riccardo Frizza, Kazushi Ono, Alexander Myrat, Daniele Callegari, Henrik Nánási, Vakclav Luks, et al.
Swiss-born American pianist Gilles Vonsattel is an artist of extraordinary versatility and originality. He is the recipient of an Avery Fisher Career Grant and the Andrew Wolf Chamber Music Award, and winner of the Naumburg and Geneva competitions. Vonsattel made his Boston Symphony (Tanglewood) and San Francisco Symphony debuts, and subsequently performed recitals and chamber music at Ravinia, Tokyo’s Musashino Hall, Wigmore Hall, Bravo! Vail, Music@Menlo, the Gilmore Festival, the Lucerne Festival, and the Munich Gasteig. His New York solo recital was hailed as “tightly conceived and passionately performed…a study in intensity” by The New York Times.
2018-19 season highlights include a performance at Tannery Pond Concerts, performing Gershwin’s Piano Concert in F with the Huntsville Symphony, performing Gershwin’s Rhapsody in Blue with the South Carolina Philharmonic, performances at Penn State University and Camerata Pacifica, a performance of Beethoven’s Triple Concerto in C Major with the Santa Barbara Symphony Orchestra, a performance at the Wolf Trap Foundation Chamber Music Series, a performance with the Jasper String Quartet of Dvorak’s Piano Quintet at the Chamber Music Society of Bethlehem, and a collaborative performance of Chausson’s Concerto for Violin, Piano, and String Quartet with Paul Huang and the Emerson Quartet at the Chamber Music Society of Palm Beach.
Vonsattel’s eventful last seasons included performances with the Spoleto Festival USA, Bridgehampton Chamber Music Festival, Cooperstown Chamber Music Festival, SummerFest La Jolla, Camerata Pacifica, Swiss Chamber Concerts, Zeughaus Konzerte, at Schwetzinger Festspiele and in Memmingen (Germany), North Carolina Symphony, String Orchestra of the Rockies, Gothenburg Symphony (Sweden), and his debut with the Chicago Symphony Orchestra. In collaborative recitals he performed with cellist Adolfo Gutierrez Arenas at Theatro Liceo (Spain), Paul Watkins at the Maestro Foundation in Santa Monica, and with clarinetist Jörg Widmann at San Francisco Performances and Peoples’ Symphony Concerts (New York). He also tours extensively with Chamber Music Society of Lincoln Center internationally in venues such as Alice Tully Hall in New York and Wigmore Hall in London.
Recent projects include Bernstsein’s “Age of Anxiety” with the Munich Philharmonic and Kent Nagano, Berg’s Kammerkonzert with the Orchestra della Svizzera Italiana, a tour with Jörg Widmann and the Irish Chamber Orchestra, Mozart concerti with the Vancouver Symphony and Florida Orchestra, and performances at Seoul's LG Arts Centre and at the Beijing Modern Music Festival.
Gilles’ 2015 release, titled Shadowlines, includes the music of Scarlatti, Webern, Messiaen, Debussy, and George Benjamin (whose composition gives the collection its title) received great acclaim, with The New York Times calling it a “mesmerizing” album in which Vonsattel traced an “intelligent and imaginative path” throughout. His 2011 recording for the Honens/Naxos label of music by Debussy, Honegger, Holliger, and Ravel was named one of Time Out New York’s classical albums of the year, while a 2014 release, Heinz Holliger: Romancendres…, with cellist Daniel Haefliger, on GENUIN/Artist Consort received a 5/5 from FonoForum and international critical praise.
He has made guest appearances with the Warsaw Philharmonic, Calgary Philharmonic, Edmonton Symphony, l’Orchestre Symphonique du Québec, Boston Pops, Nashville Symphony, Musikkollegium Winterthur, Staatskapelle Halle, and L’orchestre de chambre de Genève and has been reengaged by the San Francisco Symphony. Chamber partners include such luminaries as James Ehnes, Frank Huang, Nicolas Altstaedt, David Shifrin, David Finckel, Stefan Jackiw, Jörg Widmann, Gary Hoffman, Carter Brey, Anthony Marwood, Paul Neubauer, Paul Watkins, Phil Setzer, Emmanuel Pahud, Karen Gomyo, David Jolley, Ida Kavafian, and the Swiss Chamber Soloists. He has appeared in concert with the Pacifica, Orion, Ebène, Danish, Daedalus, Escher, and Borromeo Quartets. Committed to contemporary works, Vonsattel has performed in numerous premieres in the United States and Europe, and has worked closely with notable composers such as Jörg Widmann, Heinz Holliger, and George Benjamin.
A former member of CMS Two, Mr. Vonsattel received his bachelor’s degree in political science and economics from Columbia University and his master’s degree from The Juilliard School. He is on the faculty of the University of Massachusetts at Amherst. Gilles Vonsattel is a Steinway Artist.
The Philharmonic State Orchestra is Hamburg’s largest and oldest orchestra, looking back on many years of musical history. When the “Philharmonic Orchestra” and the “Orchestra of the Hamburg Municipal Theatre” merged in 1934, two tradition-steeped orchestras combined. Philharmonic concerts have been performed in Hamburg since 1828, artists such as Clara Schumann, Franz Liszt and Johannes Brahms being regular guests of the Philharmonic Society. The history of the opera company goes back even further: Hamburg has been home to musical theatre since 1678, even if a regular opera or theatre orchestra was only formed later. To this day, the Philharmonic State Orchestra has embodied the sound of the Hansa City, a concert and opera orchestra in one.
During its long history, the orchestra encountered great artist personalities. Apart from composers of the 18th, 19th and 20th centuries, such as Telemann, Tchaikovsky, Strauss, Mahler, Prokofiev and Stravinsky, since the 20th century chief conductors such as Karl Muck, Joseph Keilberth, Eugen Jochum, Wolfgang Sawallisch, Horst Stein, Aldo Ceccato, Christoph von Dohnányi, Gerd Albrecht, Ingo Metzmacher and Simone Young have shaped the orchestra’s sound. Renowned conductors of the pre-war era such as Otto Klemperer, Wilhelm Furtwängler, Bruno Walter, Karl Böhm and Hans Schmidt-Isserstedt gave brilliant performances, as did outstanding conductors of our times: suffice it to mention Christian Thielemann, Semyon Bychkov, Kirill Petrenko, Sir Neville Marriner, Valery Gergiev and Sir Roger Norrington.
Starting with the 2015/2016 season, Kent Nagano has taken on the position of Hamburg’s General Music Director and Chief Conductor of the Philharmonic State Orchestra and the Hamburg State Opera. In his first season Kent Nagano initiated a new project, the Philharmonic Academy, focusing on experimentation and chamber music. In 2016 Nagano and the Philharmonic undertook a successful three-week concert tour in South America, a tour of Spain followed in 2019. Since 2017 Kent Nagano and the Philharmonic State Orchestra have continued the traditional Philharmonic Concerts at the new Elbphilharmonie, for which they commissioned Jörg Widmann to compose the oratorio ARCHE, which was given its world premiere during the hall’s opening festivities. The concert recording has been released at ECM.
The Philharmonic State Orchestra offers approximately 35 concerts per season and performs more than 240 performances per year at the Hamburg State Opera and the Hamburg Ballet John Neumeier, making it Hamburg’s busiest orchestra. The stylistic bandwidth covered by the 140 musicians, ranging from historically informed performance practice to contemporary works and including concert, opera and ballet repertoire, is unique throughout Germany. Chamber Music has a long tradition at the Philharmonic State Orchestra: what began in 1929 with a concert series for chamber orchestra has been continued since 1968 by a series of chamber music only.
In 2008 Simone Young and the Philharmonic State Orchestra won the Brahms Award of the Schleswig-Holstein Brahms Society. The orchestra has recorded the complete Ring by Wagner as well as the complete symphonies of Johannes Brahms and Anton Bruckner – the latter in the rarely-performed original versions – as well as works by Mahler, Hindemith and Berg, and has released DVDs of opera and ballet productions by Hosokawa, Offenbach, Reimann, Auerbach, J.S. Bach, Puccini, Poulenc and Weber.
The members of the Philharmonic State Orchestra feel equally beholden to Hamburg’s musical tradition and responsible for the city’s artistic future. Since 1978 the musicians have been participating in education programmes in Hamburg’s schools. Today, the orchestra maintains a broad education programme, including school and kindergarten visits, patronage for music projects, introductory events for children and family concerts. The orchestra’s own academy prepares young musicians for their professional careers. The Philharmonic’s musicians thereby make an equally enjoyable and valuable contribution to tomorrow’s music education in the music metropolis of Hamburg.
The 2018 Rathausmarkt Open-Air brought about 7,000 citizens of Hamburg out to cheer for Kent Nagano and the Hamburg Philharmonic State Orchestra. This great success cried out for a repetition, and so the Philharmonic will play again on Rathausmarkt in 2019, with free admission and hopefully pleasant weather! The programme includes Gershwin’s popular "Rhapsody in Blue" and, of course, a work native to Hamburg – Brahms’ First Symphony!
Venue: Rathausmarkt, 20095 Hamburg